This work is based on an ongoing artistic research into light as a material capable of shaping space, creating relationships and transforming perception. Using lenses, lasers, video projection and other optical devices, I explore how phenomena such as refraction, focus, reflection and dispersion can become tools for generating spatial and temporal experiences.

Rather than treating light simply as a means of illumination or as a support for images, I approach it as a physical phenomenon capable of organizing space and revealing invisible relationships.

 

My research begins with the design of optical systems in which each element influences the behavior of the next. The image is not a fixed result, but a process that emerges from the interaction between the light source, lenses, materials, architecture and the presence of the viewer.

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This research unfolds through different formats. Some projects take the form of sculptural, site-specific installations, where the optical structure remains active within the space and the audience discovers the phenomenon through movement and observation. Others become live audiovisual performances, in which light is manipulated in real time, creating a continuous dialogue with sound, the body and performative action. In both cases, the optical system functions as an instrument for producing images in constant transformation.

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A central aspect of this research is the construction of systems. Every lens, mirror and surface acts as a node within a network of relationships. No element exists in isolation; each one receives, transforms and transmits light. This logic of interdependence allows light to become a way of thinking about community, memory, the transmission of knowledge and the ecology of relationships.

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Projects such as Interdependence explore the propagation of light through a vertical sequence of suspended lenses, using the path of light as a metaphor for collective systems in which every transformation depends on the previous one and influences the next.

 

Other works, such as the installation created for the Injerto Festival, apply these same principles to new spatial configurations, investigating how architecture, landscape and context shape the behavior of the optical device.

Rather than producing a series of independent works, this practice functions as an open laboratory. Each project extends an ongoing investigation into the relationship between optics, space and perception, seeking new ways to reveal what usually remains invisible: the trajectory of light, the construction of images, and the networks of relationships that underpin both physical and social phenomena.