BROMO / The new audio-visual formats open an immeasurable field for communication. Digital art and electronic music are a direct consequence of the evolution of technology and its multiple uses. Today generative art is used beyond an artistic experience. The possibility of creating a speech accompanied by media such as music, sound documents, texts or images, facilitates the possibility of creating our own language.
CRISPR the pattern of life is their latest proposal. A transition towards knowledge, an approach to one of the most exciting advances in the history of biotechnology.
From the discovery of CRISPR systems by Francis Mojica to the development of the first applications, this technology, capable of modifying our DNA sequence, has revolutionized the history of genetic engineering.
Edit the human, design us, improve us, where are we headed as a species? From Transhumanism to the De-extinction of species, this show shows some of the applications and ethical limits that this technology poses.
Strong sounds with exciting and abstract passages, parade an amalgam of organic textures and sound concepts that will make us dance, get excited and captivate our attention. A musical and visual journey full of meanings and messages, of impossible landscapes of generative images and reinterpreted natures that delve into and guide the viewer through the universe of synthetic biology and the philosophy of evolution.
Are we prepared to take on the changes derived from CRISPR?
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BROMO was born from the need to transmit a message through a seemingly abstract discourse. A scenic audio-visual digital art project under the codes of documentary cinema that has already made its way into digital art and electronic music festivals such as LEV Festival (Gijon) and (Madrid), Bright Festival (Alemania), Videocitta (Roma), Eufonic (Delta del Ebro), Volumens (Valencia), Foolk (Malaga), Cosmocaixa (Barcelona), Keroxen Festival (Tenerife), Madatac X (Madrid), Numa Circuit (Tenerife), Medialab Prado (Madrid), Telenoika (Barcelona) and even within film festivals such as Curtucircuito (Compostela), MAF (Málaga de Festival) or Seminci (Valladolid) as a Transmedia project. Its staging of a vindictive and direct nature, of strong sounds and complex structures loaded with images designed to move and capture the viewer formalize this project as one of the great bets of the Spanish circuit.